Lesson 12
FAMILY OPENING
The Abhidharma Discourses of the Bhikkhu have taught that: The intention of the subject of the sex-force ( kāmajavanamanodvāravīthi ) has two types:
- Tadānuvattikamanodvāravīthi: Revealing successive achievements. That is to say, following the five-sense pathway.
1. Pure intention:
These are the types of manifestations arising independently, self-arising without a period of succession.
This note has two cases:
- Receive scenes of past achievement colors ( atītanipphannarūpa ) or identity achievements of the future ( anagatanipphannarūpa ), scenes of dharma names, contemplation and Nibbana. Minds that express this subject do not have HPVQ.
2. The intention to follow is to reveal the mind : It is the mind-door of the mind that comes from the enlightenment.
This section talks about the intention to continue to reveal.
II. ANALYSIS.
There are five types of intention to be derived from the enlightenment: Notice of continuation of the mind-door, the intention to continue to reveal the ear, reveal the continuation of the subject, reveal the connection to reveal the subject and reveal the next reveal body.
The following shows the activity of two contemplations that follow: Revealing a continuation of the eye-door and the way to reveal the auroral.
Following the continuation of the subject, subject and subject body are similar.
A - Notice the continuation of the mind-door.
Notice the follow-up subject to reveal the eye-door, having four basic paths:
Samūhaggahaṇavīthi : Next highway is compacted.
Atthaggahaṇavīthi : Highway definition.
Nāmaggahaṇavīthi : Route identifier.
* Atītagahaṇavīthi (serial line) .
Atīta is the front, gahaṇa is clinging, so atītagahaṇavīthi is clinging to the road first.
When the vision of the eye-door kills, experiencing thousands of basic moments, the landscape in the eye-door expose has passed away, becoming the past scene that arises through the mind-door, so this successive mind-center does not have HPVQ, Organic lines start up Shaken, then End the line, followed by the mind-naive Mind-mindedness arises, when the mind Directs the mind to kill, then the 7-citta of the mind of sex and sexuality arises.
If exposing the eye-door with Na scene, then the intention of the continuation is also Na scene and the scenery of the past in this route is the clear scene.
If exposing the eye element without Na scene, it will reveal the point of contact to the force and then return to the basic element and the scene of this past is a clear scene.
* Samūhaggahaṇavīthi (revealing revealing) . S amha is gathered, so the translation is to reveal the scene.
When the serial route ( atītagahaṇavīthi ) destroys, goes through hundreds of thousands of basic elements, a mind exposes another subject to collect the past.
The process of mind-door is as follows: Shaking, Ending the line, Directing the mind, 7 moments of force.
If the scene is very clear, there are Na scenes, then the mind becomes back to the basic part.
* Atthaggahaṇavīthi (highway definition) .
When it comes to summarizing the scene, go through thousands of basic elements, followed by exposing the scene. This definition is defined ( atthapañatti ).
The flow of mind is as follows: Shaken, End of the line, Direction of the subject, 7 moments of force, then return to the basic part.
In this mind-door, though the scene is clear or the scene is clear, there is no Na scene, the scene here is Pañatti (the regime) so there is no real-world scene, so the mind does not "hold" the scene.
* Nāmaggahaṇavīthi ( Highway identification ).
Following the definition of the road, going through thousands of fundamental elements, another víthi-citta arises to realize the name of the landscape, ie it has the task of giving the scene an appropriate name according to the appearance ( saṇṭhāna), the This name has been known, so this route has the name of the road .
The process of revealing the mind is as follows: Shaken, End of the line, Direction of the subject, 7 moments of force and then return to the basic part, this path catches the scene of the processing, so there is no Na scene.
Here comes an end to the process of exposing the mind from the eye-door.
B - The intention to follow the words of the atrium.
Next to the consciousness is the mind that reveals the consciousness. Depending on the personality of the silent scene, it is revealed that there are 4 lines or 3 roads.
If four routes will be sequentially as follows:
* Atītagahaṇavīthi (serial line).
After the right mind part continues to reveal the deadly consciousness, the sound of the past scene continues to penetrate into consciousness. Here, more specifically, the sounds are "genetic" like bells, chanting .... then the junction continues .
The continuation of the víthi-citta is as follows: Shaking, Ending the line, Guiding the mind. 7 moments of force, 2 moments of na-na (if the mind exposes the specter with Na scene and the scene in this path is a very clear scene) and then returns to the basic part.
* Samūhaggahaṇavīthi (Lo thu vén).
Experiencing hundreds of thousands of close- ups of basic parts after the highway, followed by the road to collect the scenery .
This road is destined to collect the past scene through the hereditary sound of silence.
The progress of the mind is as follows: Shaken, End of the line, Direction of the subject, 7 moments of force and 2 moments of na-na (if the first two have Na scenes and this scene is a clear scene), then turn about basic element.
* Atthaggahaṇavīthi (Route identifier ).
Different from the intention to expose the eye-door, here the identifier appears before the definition route.
After revealing the past scene, it passes away, going through thousands of basic moments, followed by one mind being born up to the past, giving the sound of the past. , such as human language, animal sounds, wind, screams, etc., this road is called a highway.
The process is like revealing and there is no Na scene because of the regime of making scenes.
* Atthaggahaṇavīthi (Route definition).
Next to reveal the scene of silence is the intention to set the meaning of that scene. This road is destined to identify the meaning of silence as supplication, the order, the sulking ....
The process of this mind-door is completely the same as the naming of the mind because it also recognizes the scene as the regime.
So the end of a mind-door process follows the consciousness from the ear.
"It is said that there are three successive ways to follow the ear of the ear," except that the scenes of the monks are taken away , because the scenes here are just too short sounds such as: A, Asia ... the series of consciousness following them it will be simpler, so revealing is not necessary to start.
There are the following quotations:
Tītaṃ dutiyacetasā
Nāmaṃ tatiyacittena
Atthaṃ catutthacetasā " In the process of receiving the full silence, the first center of the road is the auroral road, the second is the highway (at tiếptagahaṇa) starting up the past scene. The third is exposing the name of the scene, the fourth is the definition of meaning ".
Above is the presentation of the fundamental model of progress, in fact, the mind-door is more complex, they do not sequentially progress in such a simple order.
For the five scenes they receive, depending on the intensity of the scene, the number of each mind exposing more or less.
For the scene, revealing the label of the subject and the continuation of the road ( atītagahaṇavīthi ) in successive succession of hundreds and thousands of turns in succession, then the revealing path ( samūhaggahaṇavīthi ) arises , this route is repeated hundreds of times. Thousands of times, newly arrived at the identification road, this road also performs hundreds of thousands of times, finally exposing the definition.
As for the auroral exposition , when revealing the collection ( samūhaggahaṇavīthi ) appears, this path is more or less progressive depending on the scene. The more scenes there are, the more revealing it will be to do the gathering, even counting countlessly, or without revealing any kind of silent scenes.
They taught that: "When the five scenes appear clearly in five things, they immediately penetrate the mind-door . " Just like a bird when parked in a tree branch, its shadow immediately shoots right down to the ground (bird, like a scene, a branch of a tree, like five things, a ground like a mind).
So why reveal the five disciplines and expose the idea of a continuation that does not start up, but does it start up first? ".
The intention of depending on being unable to be born with the same enlightenment cannot be born before being enlightened, because it depends on the result of the enlightenment.
It is said that the scene of the five appear together in the five disciplines and the mind-door, but the contingent of the five is the human and the contingent of the mind depends on the mind and the mind, which is the result, the result cannot be before the cause.
Why is there no revealing depending on the intention?
The scene of the revelation is the rough scene of the outside (the outside) in the present time, which is a real scene, in contrast to the scene of a variety of disciplines, including both scenes and scenes, all three times, but are scene inside (internal).
Moreover, the consciousness always resides inside so the external situation inside is inevitable, there is no case where the scene from the inside escapes to become a watchman, there is no case that the person who remembers the parents has lost. (the past scene), the parents become real (the current scene), or if the stone from the edge (outer part) falls into the (internal) part, it is easy, there is no case of stone from the area. Deep rolling on the edge.
Therefore, there is no follow-up case.
The four contiguous exposures are basic lines, but not entirely always with four paths (or three paths for silence), sometimes they arise 5 or 6 revealing depending on:
a) If you see people waving to you.
The first is to reveal the eye-catching label to see the wave waving, only to see that there is no idea here.
Next, there are 5 points depending on the eyes of the eye as follows:
2-Lo confiscated ( samūhaggahaṇavīthi), collected the waving of the past.
3-Highway definition ( atthaggahaṇavīthi ) started up after revealing the scene, to know the meaning of waving.
4- Kāyaviññattigahaṇavīthi (exposing himself expressed) starts up after the definition of the road, to know the event (the wave of the hand). 5- Adhippāyaggahaṇavīthi (exposing the highest meaning) being born, successively revealed, to understand the meaning of the object (the character waving).
There are 6 suggestions depending on the progress as follows:
1- Route to reveal the atrium, to capture the scene of the past.
Both of these víthi-cittas follow each other hundreds and thousands of times.
2 - Revealing the plan to reveal the continuity to collect "genetic" sounds. This center of mind also gives birth to hundreds and thousands of times depending on the sound of the scene.
3 - Route designation is still revealing, there is a part of naming the scene according to the list.
4- Route definition begins after the identification path, to understand the scene in the sense of constitution.
5. The expressive expression ( vacīviññattigahaṇavīthi) starts up the next definition, to be aware of the "meaning" of the call.
6- Highway "understand the highest meaning", follow the language of expressing words, to recognize the character's will, meaning or purpose of the call. END=NAM MO SAKYAMUNI BUDDHA.( 3 TIMES ).VIETNAMESE TRANSLATE ENGLISH BY=THICH CHAN TANH.VIETNAMESE BUDDHIST NUN=GOLDEN AMITABHA MONASTERY=AUSTRALIA,SYDNEY.31/12/2018.
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